Chilean exiles in Paris discuss the problems facing them. They kidnap and attempt to re-educate a touring singer from their fatherland.

A desperate Westerner’s pursuit of greener pastures lead to Asia, where greed, rivalry and ego ultimately spiral into a shocking murder.

Jonás, Leonor and Bernardo work on the last rehearsal before the premiere. The producer gives them the sudden news that the theater will close due to a political march. The premiere is cancelled. Despite everything, the three actors try to perform the play.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

After a high-profile mission goes sideways, Daniel 'Hondo' Harrelson is pulled out of forced retirement to lead a last-chance experimental SWAT unit made up of untested, unpredictable young recruits. Hondo must bridge a generational divide, navigate clashing personalities, and turn a squad of outsiders into a team capable of protecting the city and saving the program that made him who he is.

After a high-profile mission goes sideways, Daniel ‘Hondo’ Harrelson is pulled out of forced retirement to lead a last-chance experimental SWAT unit made up of untested, unpredictable young recruits. Hondo must bridge a generational divide, navigate clashing personalities, and turn a squad of outsiders into a team capable of protecting the city and saving the program that made him who he is.

A behind-the-scenes documentary on the making of 2001's "The Lord of the Rings: The Fellowship of the Ring." Created by filmmaker Costa Botes, personally selected by director Peter Jackson, this documentary uses raw footage to reveal the inside story on how the greatest adventure film franchise was born.

A behind-the-scenes documentary on the making of 2003's "The Lord of the Rings: The Return of the King." Created by filmmaker Costa Botes, personally selected by director Peter Jackson, this documentary uses raw footage to reveal the inside story on how the greatest adventure film franchise was born.